Edgar Calel, Installation view. Courtesy the artist and Gwangju Biennale Foundation
14th Gwangju Biennale
soft and weak like water
April 7, 2023 – July 9, 2023
https://14gwangjubiennale.com
The 14th Gwangju Biennale, titled soft and weak like water hosted by the Gwangju Biennale Foundation (President, Yang-woo Park) and the Gwangju Metropolitan City, opens to the public on April 7, running through to July 9, 2023.
On the occasion of the opening, Yang-woo Park, President of the Gwangju Biennale Foundation states, “We hope that the 14th Gwangju Biennale will foster novel discourses in contemporary art and culture. We look forward to Gwangju, Asia, and the international community coming together and collaborating during this esteemed 94-day event celebrating contemporary art.”
The 14th Gwangju Biennale welcomes visitors, including domestic and international art enthusiasts, throughout the city of Gwangju, renowned as South Korea’s city of art. The main exhibition, titled soft and weak like water, is curated by Sook-Kyung Lee, Artistic Director of the 14th Gwangju Biennale. Concurrently, the Gwangju Biennale Foundation has teamed up with global art institutions to showcase the Gwangju Biennale Pavilion. Through these two presentations, the 14th Gwangju Biennale delves into the role of art in present-day concerns and portrays the distinct values and influence that art holds.
Powerful Messages of Resistance and Coexistence within the Aesthetics of Simplicity and Restraint
soft and weak like water takes its inspiration from a chapter of Dao De Jing which speaks of water’s capacity to embrace contradictions and paradoxes. The Biennale proposes to imagine our shared planet as a site of resistance, coexistence, solidarity and care by thinking through the transformative and restorative potential of water as a metaphor, a force, and a method. soft and weak like water features 79 artists from around the world, representing different generations, cultural backgrounds, and regions. A diverse spectrum of artists, including established and emerging talents, women, minorities, and indigenous artists, offer layered and eclectic perspectives
The Biennale presents powerful messages of resistance, deconstruction, decolonization, ecology, and the environment, while also providing a space for solidarity, contemplation, inclusivity, and recovery. The exhibition guides the viewer through various rhythms, with a strong yet lyrical composition that emphasizes the aesthetics of restraint emerging from a profound sense of depth. This structure reflects the characteristics of water, which can embrace diversity and contradictions.
In addition to the central venue, the Gwangju Biennale Exhibition Hall, works are located in, and resonate with, the architectural, historical, and cultural context of exhibition spaces across Gwangju, such as the Gwangju National Museum, Mugaksa, Artspace House, and Horanggasy Artpolygon.
